Fauzia Minallah
Quarry in Topi, PakistanQuarry in Topi, PakistanQuarry in Topi, PakistanAt workAt workMy Sacred Spaces - Chitarkari and banyansMy Sacred Spaces - Chitarkari and banyans
My Sacred Spaces - Chitarkari and banyans
My Sacred Spaces - Chitarkari and banyans
.My Sacred Spaces - Chitarkari and banyans
My Sacred Spaces - Chitarkari and banyans
Buddha still lives in Pakistan # 1
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Side AInset of Buddha still lives in Pakistan # 1
Side ABuddha still lives in Pakistan # 1
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Buddha Still Lives in Pakistan
As an artist the image of the vandalized face of seventh century, Jehanabad Buddha, which was destroyed by terrorists in Swat Pakistan, is etched in my mind. It has inspired me to work on my latest series of ‘Buddha still lives in Pakistan’.This work reflects my South Asian identity of a practicing Muslim but the magnificient Gandhara civilization also a part of it.

While working on my recent work and what better medium to choose than chitarkari a folk art from my hometown in Hazara. The somber grey slate gets an amazing palette of colours, as a result of hundred of years of natural process involving different minerals one finds all sorts of images already in the stone. Some stones have wonderful metallic sheen, all a result of different minerals in the slate. I really enjoy carving the slate with more clay in it as it is so much softer that the dark grey one. It is while I am carving the stone I get ideas of further exploring it. Although my work is about expression of ideas but while working with slate it is also about exploring the material and keeping its integrity intact.

Besides the image of Buddha, I am also repeating the images of dancing figures in different Bharatnatyam poses, all the symbols of beauty a part of our South Asian heritage that are fading away as a consequence of the ‘engineering’ of our identity. I find my inspiration in Gandhara art. I love this beautiful fusion of the East and West.

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